Nicole Coolidge Rousmaniere

: Kazari: Decoration and Display in Japan 15th-19th Centuries (editor). London: The British Museum Press, 2002.

: Births and Rebirths in Japanese Art: Essays Celebrating the Inauguration of the Sainsbury Institute for the Study of Japanese Arts and Cultures (editor). Leiden: Hotei Publishing, 2001.

'Augustus Wollaston Franks (1826-1897) and James Lord Bowes (1834-1899): Collecting Japan in Victorian England' in Hugh Cortazzi, ed., Biographical Portraits VI. London: Global Oriental, forthcoming, 2007.

Births and Rebirths in Japanese Art: Essays Celebrating the Inauguration of the Sainsbury Institute for the Study of Japanese Arts and Cultures (editor). Leiden: Hotei Publishing, 2001. + Buy

Crafting Beauty in Modern Japan (edited with Timothy Clark). London: British Museum Press, forthcoming, 2007.

400 Years of Japanese Porcelain. London: British Museum Press, forthcoming, 2008.

Kazari: Decoration and Display in Japan 15th-19th Centuries (editor). London: The British Museum Press, 2002.

'Arts of Kazari: Japan on Display', in Nicole Coolidge Rousmaniere, ed., Kazari: Decoration and Display in Japan 15th-19th Centuries. London: The British Museum Press, 2002.pp. 20-31.

Entries in Kunst aus Japan: Die Sammlung John C. Weber, New York, Melanie Trede, ed. (with assistance from Anton Schweizer and Mio Wakita). Berlin: Museum für Ostasiatische Kunst zu Berlin, 2006.

Reflecting Truth: Japanese Photography in the Nineteenth Century (edited with Mikiko Hirayama). Leiden: Hotei Publishing, 2004. + Buy

Vessels of Influence: Chinese Porcelain in Medieval Japan. London: Duckworth, 'Debates in Archaeology' series, forthcoming, 2007.

'White gold: the porcelain for export manufactured in Japan and the diffusion of new beverages in Europe' in Cristina Garbagna, ed., JIKI: porcellana giapponese tra Oriente e Occidente 1610-1760. Milan: Electra, 2004, pp. 46-53.

Simon Kaner

: Jomon Reflections: Forager Life and Culture in the Prehistoric Japanese Archipelago, (by Kobayashi Tatsuo, edited by Simon Kaner with Oki Nakamura). OxfordL Oxbow Vooks, 2004

'L'appropriation de l'identité préhistorique de l'archipel japonais'. Japon Pluriel, 6 (2006), pp. 331-340.

Envisioning Medieval Towns in Japan and Beyond (edited with Brian Ayers and Maekawa Kaname), forthcoming, 2007.

Jomon Reflections: Forager Life and Culture in the Prehistoric Japanese Archipelago (by Kobayashi Tatsuo, edited by Simon Kaner with Oki Nakamura). Oxford: Oxbow Books, 2004. + Buy

'Long-term innovation: The Appearance and Spread of Pottery in the Japanese Archipelago' in Peter Jordan and Marek Zvelebil, eds., The Use of Pottery Among Old World Hunter Gatherers. London: UCL Press, forthcoming, 2007.

'William Gowland (1842-1922): Pioneer of Japanese Archaeology' in Hugh Cortazzi, ed., Biographical Portraits VI. London: Global Oriental, forthcoming, 2007.

John T. Carpenter

: Hokusai and His Age: Ukiyo-e Painting, Printmaking and Book Illustration in Late Edo Japan, edited by John T. Carpenter, Amsterdam: Hotei Publishing, 2005

: The Fujii Eikan Bunko Collection - Imperial Calligraphy of Premodern Japan: Scribal Conventions for Poems and Letters from the Palace by John T. Carpenter, with contributions by Professor Masao Kawashima, Professor Masayoshi Masao, Ikuyo Matsumoto and Kaneko Takaaki.

Hokusai and His Age: Ukiyo-e Painting, Printmaking and Book Illustration in Late Edo Japan (editor). Amsterdam: Hotei Publishing, 2005. 357 pp. + Buy + Review

?Painting and Calligraphy of the Pleasure Quarters: Interaction of Image and Text in Hokusai?s Early Bijinga?, in John T. Carpenter, ed., Hokusai and His Age: Ukiyo-e Painting, Printmaking and Book Illustration in Late Edo Japan. Amsterdam: Hotei Publishing, 2005. pp. 32-61. Kyoto: Art Research Center, Ritsumeikan University, 2006. + Buy + Review

Imperial Calligraphy of Premodern Japan: Scribal Conventions for Poems and Letters from the Palace (by John T. Carpenter, with contributions by Kawashima Masao, Genjo Masayoshi, et al.). Kyoto: Art Research Center, Ritsumeikan University, 2006. 193 pp. + Buy

?Handwriting Empowered by History: The Aura of Calligraphy by Japanese Emperors?, in John T. Carpenter, ed., Imperial Calligraphy of Premodern Japan: Scribal Conventions for Poems and Letters from the Palace. Kyoto: Art Research Center, Ritsumeikan University, 2006. pp. 14-54. + Buy

'Kyoka and Print Designers', in Amy Reigle Newland, ed., The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei Publishing, 2005. pp. 170-74.

'The Poetic Picture: Literary Dimensions of Ukiyo-e', in Gian Carlo Calza, ed., Ukiyo-e, London: Phaidon, 2005.

'Wild Boars and Dirty Rats: Kyoka Surimono - Celebrating Ichikawa Danjuro VII as Arajishi Otokonosuke', Impressions, vol. 28 (forthcoming, 2007), pp. 40-59.

'"Twisted" Poses: The Kabuku Aesthetic in Early Edo Genre Painting', in Nicole Coolidge Roousmaniere, ed., Kazari: Decoration and Display in Japan 15th-19th Centuries. London: The British Museum Press, 2002. pp. 42-49.

Writing as Ritual: Fujiwara no Yukinari and Heian Court Calligraphy, forthcoming, 2007.

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